Das Drama Vom Realismus bis zur Gegenwart

Das Drama  Vom Realismus bis zur Gegenwart Author Bruno Busse
ISBN-10 UOM:39015066462105
Release 1922
Pages
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On Drama

On Drama Author Michael Goldman
ISBN-10 047211011X
Release 2000
Pages 134
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Shines new light on the power and complexity of drama



Das drama eine problem und formgeschichtliche darstellung

Das drama  eine problem  und formgeschichtliche darstellung Author Rudolf Karl Goldschmit-Jentner
ISBN-10 UCAL:$B256376
Release 1923
Pages 181
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Das drama eine problem und formgeschichtliche darstellung has been writing in one form or another for most of life. You can find so many inspiration from Das drama eine problem und formgeschichtliche darstellung also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Das drama eine problem und formgeschichtliche darstellung book for free.



Das Drama von Dreiundneunzig

Das Drama von Dreiundneunzig Author Alexandre Dumas
ISBN-10 BSB:BSB10100476
Release 1851
Pages
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M lavik und Agnimitra

M  lavik   und Agnimitra Author Kālidāsa
ISBN-10 UCAL:B3416816
Release 1856
Pages 106
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Das Drama in der abstrakten Gesellschaft

Das Drama in der abstrakten Gesellschaft Author Hubert Zapf
ISBN-10 STANFORD:36105034335393
Release 1988
Pages 268
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Wagners Streben nach dem Gesamtkunstwerk Oper und Drama und Lohengrin

Wagners Streben nach dem Gesamtkunstwerk   Oper und Drama und Lohengrin Author Helmut Strauss
ISBN-10 9783638236577
Release 2003-12-01
Pages 15
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Studienarbeit aus dem Jahr 2001 im Fachbereich Musikwissenschaft, Note: 1,0, Technische Universität Dresden (Institut für Kunst- und Musikwissenschaft), Veranstaltung: Einführung in die Musikästhetik, Sprache: Deutsch, Abstract: Im Jahr 1878 bezeichnete Wagner gegenüber Cosima die Zürcher Kunstschriften als seine eigentlichen Werke. Dadurch wird deutlich, wie wichtig für Wagners Selbstverständnis als Künstler die theoretisch-programmatische Fundierung seines kompositorischen Schaffens war.1 In den Zürcher Kunstschriften „Die Kunst und die Revolution“, geschrieben im Juli 18492, „Das Kunstwerk der Zukunft“, vollendet im November 18493 und schließlich „Oper und Drama“, abgeschlossen am 10. Februar 18514, entwickelte Wagner seine Konzeption des Gesamtkunstwerkes. Diese Schriften entstanden nach der Teilnahme Wagners am gescheiterten Maiaufstand in Dresden 18495 und seiner Flucht nach Zürich in der „Lebenskrise des Exils“6. In den fünf Jahren zwischen 1848 und 1853 verstummte Wagner im Gegensatz zur umfangreichen theoretischen Tätigkeit als Komponist; nach dem „Lohengrin“ vollendete er bis zum „Rheingold“ kein Bühnenwerk mehr. Zwar entstanden 1850 Skizzen zu „Siegfrieds Tod“, doch brach Wagner bezeichnenderweise die Arbeit in diesem Entwicklungsstadium vorerst ab.7 „Oper und Drama“ gilt als Wagners programmatische Hauptschrift; diese Wertung wurde aber durchaus in Frage gestellt.8 1 Wagner, Cosima: Die Tagebücher. Ediert und kommentiert von Martin Gregor-Dellin und Dietrich Mack , Bd. 2: 1878-1883, München, 1977, Anmerkung S. 154 2 Artikel „Die Kunst und die Revolution“, in: Gregor-Dellin, Martin und von Soden , Michael: Hermes Handlexikon Richard Wagner, Düsseldorf 1983, S. 100-102 3 Artikel „Das Kunstwerk der Zukunft“, in: Gregor-Dellin/von Soden , Handlexiko n, S. 102 4 Artikel „Oper und Drama“, in: Gregor-Dellin/von Soden, Handlexikon, S. 152f. 5 Gregor-Dellin, Martin: Richard Wagner. Sein Leben. Sein Werk. Sein Jahrhundert. Taschenbuchausgabe, München 1983, S. 259-276 6 Gregor-Dellin, Wagner, S. 278ff. 7 Dahlhaus, Carl: Zur Geschichte der Leitmotivtechnik bei Wagner, in: ders. (Hg.): Das Drama Richard Wagners als musikalisches Kunstwerk (= Studien zur Musikgeschichte des 19. Jahrhunderts, Band 23), Regensburg 1970, S. 17-36 8 vgl. Dahlhaus, Carl: Wagners Konzeption des musikalischen Dramas, Taschenbuchausgabe, München u.a., 1990, S. 11; Voss, Egon: Die Chöre im „Lohengrin“ vor dem Hintergrund von „Oper und Drama“, in: Csampai, Attila und Holland, Dietmar (Hg.): Richard Wagner. Lohengrin. Texte, Materialien, Kommentare, Reinbek bei Hamburg, 1989, S. 275-283



Drama

Drama Author Charlyn Wessels
ISBN-10 0194370976
Release 1987
Pages 137
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This series gives teachers, trainers, and trainee teachers practical guidance in key aspects of language teaching. Each book includes an introduction and up to 100 classroom ideas, materials, and techniques. The activities are clearly presented, and offer teachers all the information they need about appropriate level, time, preparation, materials, variations, and follow-up activities.



Zeitgestaltung im Drama Max Frischs

Zeitgestaltung im Drama Max Frischs Author Cegienas de Groot
ISBN-10 9062031501
Release 1977-01-01
Pages 346
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Zeitgestaltung im Drama Max Frischs has been writing in one form or another for most of life. You can find so many inspiration from Zeitgestaltung im Drama Max Frischs also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Zeitgestaltung im Drama Max Frischs book for free.



Modern Arabic Drama in Egypt

Modern Arabic Drama in Egypt Author Muḥammad Muṣṭafá Badawī
ISBN-10 0521242223
Release 1987
Pages 246
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This book is the first critical survey of modern Egyptian drama during the period of its maturity from the 1930s to the present day. A discussion of the work of Tawfiq al-Hakim is followed by an examination of the less experimental plays of his successors, Mahmud Taymur, Bakathir and Fathi Radwan.



Opera and Drama

Opera and Drama Author Richard Wagner
ISBN-10 0803297653
Release 1900
Pages 416
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With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.



Urwasi der preis der tapferkeit

Urwasi  der preis der tapferkeit Author Kālidāsa
ISBN-10 HARVARD:HX281G
Release 1846
Pages 696
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The Musical as Drama

The Musical as Drama Author Scott McMillin
ISBN-10 0691127301
Release 2006
Pages 230
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Derived from the colorful traditions of vaudeville, burlesque, revue, and operetta, the musical has blossomed into America's most popular form of theater. Scott McMillin has developed a fresh aesthetic theory of this underrated art form, exploring the musical as a type of drama deserving the kind of critical and theoretical regard given to Chekhov or opera. Until recently, the musical has been considered either an "integrated" form of theater or an inferior sibling of opera. McMillin demonstrates that neither of these views is accurate, and that the musical holds true to the disjunctive and irreverent forms of popular entertainment from which it arose a century ago. Critics and composers have long held the musical to the standards applied to opera, asserting that each piece should work together to create a seamless drama. But McMillin argues that the musical is a different form of theater, requiring the suspension of the plot for song. The musical's success lies not in the smoothness of unity, but in the crackle of difference. While disparate, the dancing, music, dialogue, and songs combine to explore different aspects of the action and the characters. Discussing composers and writers such as Rodgers and Hammerstein, Stephen Sondheim, Kander and Ebb, Leonard Bernstein, and Jerome Kern, The Musical as Drama describes the continuity of this distinctively American dramatic genre, from the shows of the 1920s and 1930s to the musicals of today.



Drama

Drama Author
ISBN-10 UOM:39015067529837
Release 1981
Pages
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Drama has been writing in one form or another for most of life. You can find so many inspiration from Drama also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Drama book for free.



Das Drama der Weimarer Republik und der Aufstieg des Nationalsozialismus

Das Drama der Weimarer Republik und der Aufstieg des Nationalsozialismus Author Gudrun Sowerby
ISBN-10 3880992533
Release 1991
Pages 419
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Das Drama der Weimarer Republik und der Aufstieg des Nationalsozialismus has been writing in one form or another for most of life. You can find so many inspiration from Das Drama der Weimarer Republik und der Aufstieg des Nationalsozialismus also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Das Drama der Weimarer Republik und der Aufstieg des Nationalsozialismus book for free.



Drama

Drama Author John C. Coldewey
ISBN-10 0130884413
Release 2000
Pages 1462
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This is one of the most comprehensive anthologies of enduring masterpieces of Western drama available. The critical and interpretive histories of the works, as well as background on the theaters where the plays were produced highlight the cultural and theatrical context of dramatic performances. The collection features 39 plays and 1 trope from all periods of Western drama including Greek, Medieval, Renaissance, Neoclassical, Early Modern European, Later Modern American and European, and Contemporary. For individuals interested in expanding their knowledge and critical understanding of dramatic performances, their histories and the important role of reviewers.



Do s and Don ts of Drama

Do s and Don ts of Drama Author
ISBN-10 0871293110
Release 1983-01-01
Pages
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Do s and Don ts of Drama has been writing in one form or another for most of life. You can find so many inspiration from Do s and Don ts of Drama also informative, and entertaining. Click DOWNLOAD or Read Online button to get full Do s and Don ts of Drama book for free.